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Every week Chris Black uses his superior internet reading abilities to provide you with a list of links to things that you’re bound to find interesting
 

Texting Anxiety Caused by Little Bubbles

Rise of the Hipster Capitalist

Driving the Los Angeles Gallery Scene

This Chemical Critic Was Given Thousands Of Dollars Worth Of Drugs For Free

How the Internet Saved Handmade Goods

David Lynch’s Doughnut Obsession

When Does Uber Become Cheaper Than Owning A Car?

The Art Of Spam

So You Want to Be a Food Writer

The Risks of Digital Film Preservation
 

— Chris Black / @donetodeath

Friday’s Vault

Mike Carroll in Plan B’s Questionable (1992)

Bob Hurley: Surfer, Shaper, Founder of Hurley

Seems like a really good dude

Holdouts

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Respect to those people who refuse to move

The 1992 Equivalent of a Carl’s Jr. Commercial

Supermodels of the time Christy Turlington, Linda Evangelista, Naomi Campbell, Tatjana Patitz, and Kate Moss hawk the 1992 Vauxhall Corsa in this ad inspired by Tim Burton’s Batman Returns.

Pretty Sure This Is About As Much Fashion Week As You’ll Get Out of Us

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To commemorate the 25th anniversary of Seinfeld, the Bakersfield Condors—Minor League Hockey team and affiliate of the Edmonton Oilers—will be wearing special puffy shirt inspired jerseys for one night only on November 16th.

Blue Dream

This web series from Alex Goldberg and Steven Brahms is the best thing we’ve ever watched with a weed smoking alien. Yes, even better than Paul.

Here’s the premise:

The year is unknown and the human race is virtually extinct. 5 years ago the last human escaped from Earth before it exploded. He crash landed on Blue Dream, one of the marijuana obsessed planets in the galaxy of Sinsimilla-8. Suffering from acute amnesia he remembers little of life on Earth. In an effort to jog his memories of the human experience, he has been teamed with an alien scientist who specializes in memory retrieval.

Now watch it in reverse

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No Chance to Fail Them in Geometry

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Johns Hopkins University’s newest professor is one Thomas Dolby, who will no doubt be blinding his 12 students with marketing science in the class “Sound on Film.” “School administrators can hardly believe they’ve landed a bona fide rock-star professor,” while students are still trying to figure out who he is…

More Art Shows Should Have T-Shirts

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The Satan Ceramics Tee by Tom Sachs for the upcoming group show “Satan Ceramics”

Yoooo @dominos

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Twitter customer of the year

Lunchtime Laughter

Some old Norm MacDonald stand-up

These Charming X-Men

A series of prints and accompanying zine celebrating “Marvel’s most Morrissey-esque characters” by Adam Villacin

Printables

Anonymous

The Masked Avengers by David Kushner

How Anonymous incited online vigilantism from Tunisia to Ferguson. An Inside Look at Anonymous, the Radical Hacking Collective.

Conspiracy Theory Rock

Apparently this animated piece of funny by Robert Smigel was banned from Saturday Night Live after just one airing.

via, openculture

The Wide World of Weed

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Pot news for those who partake

Notes from the parking lot at Phish’s infamous Shakedown street

California and the “Golden Age of commercialized cannabis”

More revenue per acre: Cornfields provide a great cover for growing marijuana

Puffing the pimples away: Researchers at NIH have found that CBD “may provide a potential treatment for acne”

It’s also been found that “legal access to marijuana is associated with fewer opioid overdose deaths”

Meanwhile: ISIS goes to war on weed fields in Syria

and

A retired police chief in Colorado is making a killing in the novelty pot brownie market

Game of Thrones Intro in a Saul Bass Style

Those words above actually read like a rap chorus. Anyway, not bad!

via, devour

Alexis Ren is…

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Wednesday’s Muse

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Picture of the Day

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David Brandon Geeting

Analyzing Promiscuity: An Interview With Jonathan Leder

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Jonathan Leder’s new film Promiscuities is a sexy psychological thriller starring the gorgeous Amy Hood as a lost young woman seduced into exploring her personal issues through various sexual relationships. It’s a visual tour de force that takes erotic filmmaking to a new level, and is best viewed under the cover of darkness. Here, we talk with Jonathan about the film and his collaborative relationship with the leading actress and co-writer.

What is Promiscuities about?

Promiscuities is the story of a young woman (Diane) who was violently abused by her mother during childhood, and then seeks the help of a psychotherapist later in life, only to realize that he has a twisted agenda of his own. Diane’s problems primarily manifest themselves through her sexual psychosis, however, she has other very apparent psychological issues as well, her dependency on pills, alcohol, delusions, anger, fear, extreme self consciousness, a desperate need for love and affection, and dangerous self destructive tendencies. All of which are propelled and encouraged by her sadistic doctor.

The screenplay is an original story written by Amy Hood and myself. We began outlining the idea of Promiscuities back in January of this year, shortly after we published Fetishisms Volume 1. We began to think about a way to bring some of the psychological concepts we had been exploring to life in the context of a narrative film people could enjoy. We choose this subject matter because it allowed us to explore a lot of concepts that we were interested in. Psychological concepts, that affect many, if not all of us, in some way or another. The film is based on some true stories, some fiction, some personal influences.

How did you two meet and what was the working process like?

Amy and I have been working together now for nearly two years. Of course we met in the classic sort of model / photographer way. Working on this project was very in depth, but also very informal. A lot of research went into the project and we both came up with ideas that we pushed each other on. The overhead cost for producing this film was really very low, so we were able to spend a lot of time filming. We spent on and off nearly six months working on the project. If we didn’t like something, or the way something came out, we either scrapped it, or re did it. I think the process was very sculptural and tactile. We tried a lot of things, sometimes they were brilliant, other times (though not as often!) they were failures. The best part is being able to take risks, and having people around you that are able to support you when you take those risks.

This is such a sexually charged film…

Diane’s whole premise “I guess it’s safe to say I have a problem with sex” is sort of the jumping off point for exploration in this film. The idea of exploring aspects of human nature that other people are afraid to discuss in an intelligent and mature way is always interesting to me. Human beings are fascinating creatures, and I suppose I agree with Freud that human sexuality is often at the root of a large part of human psychology.

“I guess we always long for forbidden things” or “I knew I was alive with the heat of her hand around my cock.” Sure, it’s sexual, but these are universal truths that speak to all of us.

What were some of the biggest challenges you faced during the filming? How did you keep the talent comfortable during some of the more graphic scenes?

Filming went relatively well. Many of the scenes were improvised and the actors, especially Phillip Levine did a fantastic job with the improv. The whole scene when he is walking down the staircase at night is complete improv. Just right off the cuff. No script at all. Those scenes turned out so vibrantly, but I guess it was a risk. They could have been awful with other actors.

Some of the sexual scenes were a bit awkward to film, sometimes I had to push Amy to do things she wasn’t entirely comfortable to do, which I did not always enjoy. There are others that did not make it into the film because the ‘chemistry’ wasn’t there, but as long as you can go back and get it right, it’s no big deal. I guess after a while Amy got a bit burnt out making out with everyone.

Any tips for aspiring filmmakers?

Make your own rules. Study the great films. Ignore the formulaic crap coming out of Hollywood today completely. Take more risks. Take your time. Throw away your cell phone so you can concentrate. We made this film for under $3,000, but I also spent 350 hours editing it. Time is more important than money, in my opinion.

Promiscuities is available for digital download and streaming here (18+)

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