Director Greg Hunt goes into the studio of Geoff McFetridge as he creates his installation for the Patagonia store in Cardiff-by-the-sea.
A look at people and the outfits they wear to art openings in New York City.
Photographs by Christos Katsiaouni
Location: Petra Cortright at Foxy Productions (2/06/2015)
Heinz announces Sriracha-blended Ketchup. Now available for $2.69 at select retailers.
Dana Carvey keeping it relevant after all these years.
Pot News For Those Who Partake
Here’s Jeffrey Dahmer packing his snow bong (above)
OCEAN GRAVITY, an underwater collaboration between free-diver Guillaume Nery and filmmaker / free-diver Julie Gautier.
In a recently surfaced letter to a friend, Tupac Shakur writes about group album called “One Nation” that he planned to record with “Greg Nice, Buckshot, Smiff & Wesson, Outkast, the Outlaws, Scarface, & E40.” He also mentions that he’s been tearing Biggie Smalls a new ass “:)”. Tupac’s emoji game would’ve been tight.
Brooklyn-based artist Taylor McKimens currently has a show up in Chelsea that focuses solely on artwork that has been commissioned since 2008 by Canadian super-collector Paul Bright. Here we talk with Taylor about his relationship with Paul, the work itself, and what’s been going on the past 7 years.
How did you and Paul Bright meet?
We met at an art opening in Chelsea maybe around 2005 or so. I think we may have talked by email before but after that opening was the first time we ever really started hanging out. He ended up opening a gallery in his hometown of London, Ontario and I used to show there along with Ben Jones, Barry McGee, Misaki Kawai, Matt Leines, Dearraindrop and a lot of other really great artists. I moved up there for a year too around 2007. It was a really interesting place and time.
What was your first commission?
I can’t exactly remember the first but one of the first was a group of plant sculptures that he had me make for some of his furniture friends in Toronto in exchange for a year’s rent on a house in London. That was during the time that the economy tanked and my NY gallery at that time (Clementine Gallery) closed for good.
How many pieces have made so far? Is there any process or do you have free reign?
I was surprised getting this show together how many pieces have been commissioned or bought by Paul. I can’t exactly say what a number would be. It’s all been very unofficial. He’s really believed in the work and has been a constant supporter through this time when the popularity of slacker abstraction or whatever it’s being called has been booming. A lot of boring artists who normally struggle with the process of making art found it easy to crank out “conceptual” process based artwork to supply the hungry art market for an easy payoff and some sense of quick success. All the while galleries’ art fair booths and show calendars have pandered to all the easy money leaving a lot of genuinely exceptional artists struggling financially. I can’t blame them for doing what they have to do to keep the lights on, but few people like Paul have held steadfast in their support for artists they believe in without regard for temporary trends. I’ve been lucky to have his support really. He’s never pushed to alter or restrict what I make. He requested that the two large paintings in this show be a type of diptych or pair with some sort of connection. I think it’s a loose reference for him to the pair of Dance paintings commissioned of his favorite artist Matisse by Sergei Shchukin.
MOOOOLS, a brilliant short film by Shaka King.
Every week Chris Black uses his superior internet reading abilities to provide you with a list of links to things that you’re bound to find interesting
— Chris Black / @donetodeath
Tom Knox in Santa Cruz’s Troops of Tomorrow
A look through what’s popping this weekend in New York, Los Angeles, and San Francisco.
New Music: Danny Brown, Makthaverskan, Women, Action Bronson, Death, feedtime, Dirty Few, Cannibal Ox, Rhymesayers 20