Conspiracy Theory Rock

Apparently this animated piece of funny by Robert Smigel was banned from Saturday Night Live after just one airing.

via, openculture

Game of Thrones Intro in a Saul Bass Style

Those words above actually read like a rap chorus. Anyway, not bad!

via, devour

Analyzing Promiscuity: An Interview With Jonathan Leder

leder-interview

Jonathan Leder’s new film Promiscuities is a sexy psychological thriller starring the gorgeous Amy Hood as a lost young woman seduced into exploring her personal issues through various sexual relationships. It’s a visual tour de force that takes erotic filmmaking to a new level, and is best viewed under the cover of darkness. Here, we talk with Jonathan about the film and his collaborative relationship with the leading actress and co-writer.

What is Promiscuities about?

Promiscuities is the story of a young woman (Diane) who was violently abused by her mother during childhood, and then seeks the help of a psychotherapist later in life, only to realize that he has a twisted agenda of his own. Diane’s problems primarily manifest themselves through her sexual psychosis, however, she has other very apparent psychological issues as well, her dependency on pills, alcohol, delusions, anger, fear, extreme self consciousness, a desperate need for love and affection, and dangerous self destructive tendencies. All of which are propelled and encouraged by her sadistic doctor.

The screenplay is an original story written by Amy Hood and myself. We began outlining the idea of Promiscuities back in January of this year, shortly after we published Fetishisms Volume 1. We began to think about a way to bring some of the psychological concepts we had been exploring to life in the context of a narrative film people could enjoy. We choose this subject matter because it allowed us to explore a lot of concepts that we were interested in. Psychological concepts, that affect many, if not all of us, in some way or another. The film is based on some true stories, some fiction, some personal influences.

How did you two meet and what was the working process like?

Amy and I have been working together now for nearly two years. Of course we met in the classic sort of model / photographer way. Working on this project was very in depth, but also very informal. A lot of research went into the project and we both came up with ideas that we pushed each other on. The overhead cost for producing this film was really very low, so we were able to spend a lot of time filming. We spent on and off nearly six months working on the project. If we didn’t like something, or the way something came out, we either scrapped it, or re did it. I think the process was very sculptural and tactile. We tried a lot of things, sometimes they were brilliant, other times (though not as often!) they were failures. The best part is being able to take risks, and having people around you that are able to support you when you take those risks.

This is such a sexually charged film…

Diane’s whole premise “I guess it’s safe to say I have a problem with sex” is sort of the jumping off point for exploration in this film. The idea of exploring aspects of human nature that other people are afraid to discuss in an intelligent and mature way is always interesting to me. Human beings are fascinating creatures, and I suppose I agree with Freud that human sexuality is often at the root of a large part of human psychology.

“I guess we always long for forbidden things” or “I knew I was alive with the heat of her hand around my cock.” Sure, it’s sexual, but these are universal truths that speak to all of us.

What were some of the biggest challenges you faced during the filming? How did you keep the talent comfortable during some of the more graphic scenes?

Filming went relatively well. Many of the scenes were improvised and the actors, especially Phillip Levine did a fantastic job with the improv. The whole scene when he is walking down the staircase at night is complete improv. Just right off the cuff. No script at all. Those scenes turned out so vibrantly, but I guess it was a risk. They could have been awful with other actors.

Some of the sexual scenes were a bit awkward to film, sometimes I had to push Amy to do things she wasn’t entirely comfortable to do, which I did not always enjoy. There are others that did not make it into the film because the ‘chemistry’ wasn’t there, but as long as you can go back and get it right, it’s no big deal. I guess after a while Amy got a bit burnt out making out with everyone.

Any tips for aspiring filmmakers?

Make your own rules. Study the great films. Ignore the formulaic crap coming out of Hollywood today completely. Take more risks. Take your time. Throw away your cell phone so you can concentrate. We made this film for under $3,000, but I also spent 350 hours editing it. Time is more important than money, in my opinion.

Promiscuities is available for digital download and streaming here (18+)

Reminisce Over This

A Tribe Called Quest, Electric Relaxation, 1993

“Wu-Tang Clan Ain’t Nuthing ta F*ck Wit”

As rapped by the movies

Lunchtime Laughter

Grant Meyers, the erotic film foley artist.

Another Addition to The Seemingly Endless Fodder of Wes Anderson Films

Vehicles.

In Case You Didn’t Know Why You’re Kind of Awake Right Now

Your Brain On Coffee

Lunchtime Laughter

Eddie Murphy makes jokes about Michael Jackson

The Ed Templeton Scrapbook

A three-part series from HUCK magazine to coincide with their 45th issue.

[Read more]

Morning Dose of Hot Summer Innuendo

“Cream Tease” by Seed Animation Studio

Friday’s Vault

Rob Hostetter’s part in Zorlac’s Zero Hero

Phenomenal Work

The Delta Bravo Urban Exploration Team crashes the most famous pool in movie history, the one from Fast Times at Ridgemont High.

We all know that they’re good for your heart, but do you know how a bean turns into a fart?

After this informative animation you will.

via, designtaxi

Morning Dose of The Great Escape

Jim Dirschberger and Jay Howell made the new video for Trash Talk’s song “The Great Escape.” It’s “a cautionary tale of the side effects of excellent hardcore music and demonic drinks.”

Welp, TEDx in Prison is the Most Depressing Thing Ever

The Greatest TEDx Performance That Never Was? In which a BMX racer serving time for attempted murder talks about trying to get a bike into prison for a TEDx performance.

Surf Craze

With paddle in hand, Laird Hamilton shoots the pier at Malibu.

[Read more]

Lunchtime Laughter

The drunk history of Jim Abbott at the Pan American Games in Cuba

Morning Dose of Malfunctions

Some absolute craziness from cyriak

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