All week we’ll be previewing cultural highlights from the upcoming fall season. Today we start with 34 can’t miss art exhibitions opening in September in New York, Los Angeles, Philadelphia, San Francisco, and Paris.
From New York to Los Angeles and up to San Francisco, there’s a lot of art to see, and plenty of time to see it. It’s a long weekend!
(above: Josh Reames, Found Objects. On view at Guerrero Gallery in SF)
For this installment of “Artist Eats,” we asked Randy Colosky to share his favorite place to eat. Randy is an artist based in Oakland, who creates mind-blowing drawings, sculptures and installations.
“Boot and Shoe in Lakeshore Oakland. I like that the food is pretty simple, pizza with great crust, salads that are properly dressed and not too fussy and sort of weird deserts that are good but not what I would normally get. The menu is not very big and changes slightly seasonally. You know pretty much everything on it is going to be good. The Margherita pizza is something we usually order and the Burrata appetizer is good when they have it. My lady (Nicole) and I like to go there at the end of a long week on the late side—it’s a nice atmosphere, busy but not insane, and the staff is always really nice. You can tell its a place that was really considered and not just dressed up to be fancy and they have some really nice art in there.”
This Friday, August 1st, 60 artist interpretations of the Benny Gold logo will go in display in the brand’s Guest Artist Glider Plane show. Featuring works by a bunch of familiar names, the show will be on display for one-night only from 6-9pm at the San Francisco store.
Comedian Marcus Tisdale puts that observation to the test with his video asking the question “Can You Smoke Crack In Front of SF Cops and Not Get Caught?”
Lewis Mitchell of Arion Press in San Francisco
For this installment of “Artist Eats,” we asked Evan Rossell to share his favorite place to eat. Evan, aka STINK ONE, is an artist from California who recently appeared in the splice-of-life documentary short “Nothing Stops Detroit.” Continue reading for his answer.
Daniel Arnold tirelessly captures and catalogs the serendipity and the strange goings-on in and around New York City’s streets every day. Roaming the landscape so we don’t have to, Arnold presents these images to the world in a constant live stream of photographs from his brain to your eyes, via his website and popular Instagram account. He works so determinedly and creates so much great work that he’s become somewhat of a New York City fixture himself, not just documenting the fabric of the city, but becoming part of it. So, what happens when he’s dropped into the middle of another city for six short days and tasked with making the same magic happen there too? From the looks of Arnold’s new show, Six Days in San Francisco, now on view at Wolfe Contemporary, the same amazing things. Shot, processed, printed, framed, and hung all in less than a week, the show highlights the similar trappings of oddness, sadness, humor, and beauty that his New York work does, while exposing new ideas about the city and about documenting the unexpected and unknown. I hunted down Daniel for some insights into the whole process.
Christian Storm: How did the whole show in San Francisco come about?
Daniel Arnold: I was in a group show at the Wolfe Contemporary Gallery about a year ago, which was kind of an anomaly for them. They usually show painters but the guy who runs it has an assistant who, because it’s a smaller operation, is more involved than most, and she was following me on Instagram and recommended me for the show. So, some time went by and they had an opening out of nowhere and they offered me a solo show. It was very short notice and I could have taken an easy route, but it happened that I was going be in LA around that time. I went out to San Francisco ten days before the show and I figured I’d make it interesting and try to shoot the whole thing there.
That’s crazy. What was that pressure like to shoot a whole show in such a short amount of time? It’s definitely different than the way you work normally, I assume.
It was really hard. I guess I didn’t really understand what high stakes I was setting for myself. I’ve been in a rhythm of producing so much work on a regular basis, basically every day, that I felt fairly confident that I could just show up and make it happen. But the combination of being a stranger in town and sleeping on assorted couches and going three days at a time without being able to change my clothes and just walking all day, every day- I have a pedometer on my phone and by the end, I had walked 100 miles- was tough. It was a huge physical exertion and a bit of a psychological trial too, but it ultimately ended up being so much more rewarding for that. I think my outsider take on such recent times made for a more interesting, engaging show. I’ve always been a big fan of San Francisco but I’ve never had a real proper look around and it was a great way to experience the city.
You talk about viewing San Francisco from a fresh viewpoint. When you’re photographing in a city, how much about the work is about the specific city itself, and how much of is it about humans in general?
For the most part, the differences between cities in my photos are pretty subtle. It didn’t feel like a gimmicky change of pace for me, like I was finding people in Giants hats or eating sourdough bread. A lot of the New York stuff, pretty much the whole past few years, has been a product of loneliness and walking around, feeling kind of bummed, tuning out my own life and getting tuned into my surroundings. San Francisco provided plenty of loneliness. That downtrodden feeling wasn’t hard to come by in a place where I was disoriented and walking uphill all day. I found San Francisco to be much wilder and more threatening than New York, and I think that came through in some of it. The spirit there is much closer to surface than in New York, where people are much more calculated and manicured. But for the most part, the experience was very similar. It was just fresher because it was new; I could see things a little more clearly.
Some strange person is going around San Francisco leaving envelopes of cash for their twitter followers to retrieve as part of an “anonymous social experiment for good.” Get yours by following along here for the next drop.
The symbol of a changing San Francisco
Unearthed and collected by Dave Schubert while digging through dead people’s stuff at garage sales, estate sales, and flea markets.
108 years ago today at 5:12 am, San Francisco got leveled and subsequently burned to the ground.