How did the idea for Beneath the Streets come about?
Matt Litwack: During my high school days, I would explore the NYC subway tunnels. I became fascinated with the graffiti, the history, and the general danger of the underground. JURNE and I wanted to create a book that was able to examine the subway system from a sociological, historical, and artistic perspective. We wanted people to be able to see what it’s like for graffiti artists to explore these environments.
Jurne: We’ve been drawn to these hidden or tucked-away city environments for nearly 2 decades, exploring and painting them. The New York City subway tunnel system is one of the most expansive and oldest public transportation systems in the world. With that comes a lot of history, and a lot of potential stories to tell about experiences inside the subway tunnels. There’s a tradition of folklore or story telling that goes hand in hand with graffiti writing. Capturing this story of the New York city subway tunnels, exploration, and graffiti writing inside them was something that Matt and I talked about doing for a long time.
Can you describe your first journey underground into the subway tunnels?
Jurne: I remember stepping off the platform into the dark tunnel, and feeling like I was crossing a threshold into a dangerous place, with dim red light illuminating the 3rd rail, and the slow hiss of air coming from pipes over head. It was pretty terrifying. I was immediately fascinated.
Matt Litwack: The first time I ventured underground was with a much older, established and experienced individual. I was fortunate to have someone with such knowledge show me the ropes. Regardless, I was still terrified and didn’t know what to expect or what I might encounter.
This newly opened exhibition by the brotherly duo is proof that there is more going on in Brazil right now than the World Cup. The “Opera of the moon” is on view at Galpão Fortes Vilaça in São Paulo through August 16, 2014.
For this installment of “Artist Eats,” we asked Llew Mejia to share his favorite place to eat. LLew is an illustrator and textile designer based in Minneapolis, whose clients have included Colette, OAK NYC, Patagonia and Gestalten. Continue reading for his answer.
A look through Joyride, presented by Ed Spurr and Brendt Barbur in celebration of the 14th edition of the Bicycle Film Festival. The group show featuring Ai Weiwei, Rita Ackermann, Tim Barber, Frank Benson, Lizzi Bougatsos, Julia Chiang, Francesco Clemente, Peter Coffin, Dan Colen, Thomas Eggerer, Urs Fischer, Leo Fitzpatrick, Rainer Ganahl, Andrew Guenther, Marc Hundley, Alex Katz, KAWS, Graham Macbeth, Ari Marcopoulos, Jonathan Monk, Jason Nocito, Laura Owens, Eli Ping, Richard Prince, Tom Sachs, Aurel Schmidt, Kiki Smith, Devin Troy Strother, Spencer Sweeney, John Tremblay, and B. Wurtz is on view at Marlborough Broome Street through August 3, 2014
Full of beautiful women and XXX behavior, Rio de Janeiro’s Centaurus has enticed celebrities, soccer stars and anyone else willing to pay a fee and go inside. We go behind the doors of a scandalous sin palace
This summer, with the help of Project Pressure and you, Danish Photographer Peter Funch will travel to Washington State’s Mt. Baker for a project that blends both art and science. By recreating famous pictures and postcards from the often photographed mountain, Funch will be documenting climate change and illustrating glacial movement through contemporary photography. Here, we talk to Peter about Expedition: Mt. Baker.
How did this project come about?
It started in 2010 when I was on a job in Greenland. I had to take several low altitude flights over glaciers. It was amazingly beautiful, but underneath my awe was the wrenching notion that these monuments of ice are so fragile – that they may one day flood everything I once knew. This paradoxical feeling led me to photograph them as much as I could and is now driving me to Mt. Baker.
I met the founder, Klaus Thymann, in London over a decade ago. We Danes tend to stick together so it wasn’t long after I moved to London that I met Klaus. We remained friends and kept in touch after I moved to Brooklyn. I heard about it through him and saw it gain momentum with articles by the BBC, the Guardian, and NASA by supporting Project Pressure with scientific data.
What type of work will you be producing?
I will be producing two types of work: one is scientific and the other is artistic. For the scientific work we need to replicate different points of view around the glacier from historical photographs. We chose Mt. Baker because it has a very long and rich history of photographic documentation. These replicated photographs of the glaciers are linked with GPS coordinates so people can go back and reshoot the image again and again. These images form what we call a “comparative timeline”, which is what we use to see how the glaciers will change over time. The more data points, or photographs, we can put in the timeline the more accurately we can extrapolate climatic predictions. This is why this work is invaluable to climatological research… and everyone for that matter.
The other part of the project is for me to create artwork that hopefully gives a more relatable perspective on Climate Change. It didn’t make sense for me to replicate some photographs, pack my bags, and leave. I am an artist and this subject deeply affects me. So not all the images I take will be for research. These images will be based on the collected references such as postcards and the work of Ansel Adams, which I will more or less recreate, but for the purpose of evocative visuals and inspiring a narrative in the viewer. In tandem, I will also be creating RGB Tricolor separation images to evoke changes over time: trees growing, landscapes changing, and, of course, glacial retreat.
For this installment of “Artist Eats,” we asked Evan Rossell to share his favorite place to eat. Evan, aka STINK ONE, is an artist from California who recently appeared in the splice-of-life documentary short “Nothing Stops Detroit.” Continue reading for his answer.
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