A Look Through the 2015 Armory Show

The next best thing to being there in person.

ArtFits (vol. 5)

A look at people and the outfits they wear to art openings in New York City.

Photographs by Christos Katsiaouni

Location: SPRING/BREAK Art Show (03/03/2015)

“I attempted to draw the sexiest babes I could, but they came out looking absurd.”

Dr. Seuss’s The Seven Lady Godivas: The True Facts Concerning History’s Barest Family

Hot Concepts

A look at some car models from the past 50 or so years.

Found Photos (pt.27)

 
Collected by Dave Schubert while digging through dead people’s stuff at garage sales, estate sales, and flea markets.
 

Sharpie King

A look through some of the super clean drawings in Mike Giant’s new show ‘Colorado’ at FFDG in San Francisco.

Blue-Chip Boombox

A look at some of the functional sculptures in Tom Sachs’ Boombox Retrospective 1999 – 2015 at The Contemporary Austin

50 Shades of Paint: An Interview with Sam Friedman

Tomorrow (2/14) is the last day to see artist Sam Friedman’s ambitious solo show “Happy Places” at Joshua Liner Gallery in NYC. We caught up with him last night over text message to talk about all things enjoyable.
 
Beaches, sunsets, lobsters, bongs, legs. These are your happy places?

Pretty much. They’re some of the things in life to enjoy.

They all go hand in hand. Can you tell me about the Great Wall of Happy. There’s 50 pieces there. What was the process like to create them?

I worked on all of them at one time. They were all laid out on a wall of my studio, while I was painting them, in a way similar to the way they were hung in the gallery. I liked the way they look on the wall hanging as one unit, but each piece is definitely its own painting.

How many jars of paint do you think you used?

Ha ha Ha ha ha… Honestly, I don’t even have a ballpark idea.

Do you ever see a difference in your subject matter depending on the season?

Nope.

Yeah. I guess a happy place is an all the time thing.

Maybe that’s the goal?

Definitely, it’s my goal in life. Can you talk briefly about the composition of your work? With the exception of the large painting in the back, the subjects are cropped. Is there a way you plan this or is it spontaneous?

Yeah, they are loosely planned out by doing small compositional drawings on file cards. The drawings are usually nothing more than a few lines and a circle.

So what’s next for you? More happy places?

I’ve got some new painting themes that I am working on, but they are top secret.
 

ArtFits (vol. 4)

A look at people and the outfits they wear to art openings in New York City.

Photographs by Christos Katsiaouni

Location: Petra Cortright at Foxy Productions (2/06/2015)

7 Years of Painting: An Interview With Taylor McKimens

Brooklyn-based artist Taylor McKimens currently has a show up in Chelsea that focuses solely on artwork that has been commissioned since 2008 by Canadian super-collector Paul Bright. Here we talk with Taylor about his relationship with Paul, the work itself, and what’s been going on the past 7 years.

How did you and Paul Bright meet?

We met at an art opening in Chelsea maybe around 2005 or so. I think we may have talked by email before but after that opening was the first time we ever really started hanging out. He ended up opening a gallery in his hometown of London, Ontario and I used to show there along with Ben Jones, Barry McGee, Misaki Kawai, Matt Leines, Dearraindrop and a lot of other really great artists. I moved up there for a year too around 2007. It was a really interesting place and time.

What was your first commission?

I can’t exactly remember the first but one of the first was a group of plant sculptures that he had me make for some of his furniture friends in Toronto in exchange for a year’s rent on a house in London. That was during the time that the economy tanked and my NY gallery at that time (Clementine Gallery) closed for good.

How many pieces have made so far? Is there any process or do you have free reign?

I was surprised getting this show together how many pieces have been commissioned or bought by Paul. I can’t exactly say what a number would be. It’s all been very unofficial. He’s really believed in the work and has been a constant supporter through this time when the popularity of slacker abstraction or whatever it’s being called has been booming. A lot of boring artists who normally struggle with the process of making art found it easy to crank out “conceptual” process based artwork to supply the hungry art market for an easy payoff and some sense of quick success. All the while galleries’ art fair booths and show calendars have pandered to all the easy money leaving a lot of genuinely exceptional artists struggling financially. I can’t blame them for doing what they have to do to keep the lights on, but few people like Paul have held steadfast in their support for artists they believe in without regard for temporary trends. I’ve been lucky to have his support really. He’s never pushed to alter or restrict what I make. He requested that the two large paintings in this show be a type of diptych or pair with some sort of connection. I think it’s a loose reference for him to the pair of Dance paintings commissioned of his favorite artist Matisse by Sergei Shchukin.

[Read more]

Banger in the Hangar

A look through last weekend’s Art Los Angeles Contemporary fair.

ArtFits (vol. 3)

A look at people and the outfits they wear to art openings in New York City.

Photographs by Christos Katsiaouni

Location: Outsider Art Fair (1/29/2015)

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