LAS VEGAS is Tom Gould’s excellent new short film profiling the operators of the oldest strip club in New Zealand.
Drone Boning, the first—and most artistically shot—soft porn recorded from above. It’s like a game of ‘Where’s Dildo?’ at times. Watch and enjoy.
The first act of sex on earth happened about 385 million years ago between two primitive bony fish in an ancient Scottish lake. The fish did it sideways—like two square dancers—rubbing their genitalia together like cheese graters
Pole Position Sports Bar in Tacoma, Washington is situated right next to a strip club called Fox’s. Since visitors are not allowed to drink in nudie bars in Washington State, the bathroom architects at Pole Position made a legendary move by adding a peephole above one of the urinals in the men’s restroom. Thereby enabling imbibing patrons to gaze straight into the flesh den, and in turn solidifying its status as one of the best bar bathrooms in the world.
“My mum told me that if I didn’t want to get pregnant, I should put a potato up there. I believed her.”
After complaining to physicians about abdominal pain, doctors found a sprouting potato deep inside a 22-year-old Colombian girl, which she had been using as some type of backwoods contraception device. Apparently, Mother does not always know best.
Leave it to the Japanese to integrate condoms into cuisine for a cookbook promoting safe sex.
“Imagine being on your knees at your father’s funeral beside his casket, saying goodbye to him — and then you have nine orgasms right there,”
Just imagine that. Dale Decker is a Wisconsin man who suffers from a condition called Persistent Genital Arousal Syndrome, which causes him to have upwards of 100 orgasms per day. While the lazy may think that the condition would be amazing, according to Decker “It makes you never want to have another orgasm for as long as you live.” That’s no fun.
Well, you did it, babe.
The plastic human model known as Victoria Wild actually looked pretty good before she spent $50,000 turning herself into an inflatable sex doll with 32G breasts. I really hope some budding photographer is in the process of a super long term project documenting the skin-to-plastic sag ratio as these cosmetic creatures get older and begin to melt. That GIF would be awesome.
Jonathan Leder’s new film Promiscuities is a sexy psychological thriller starring the gorgeous Amy Hood as a lost young woman seduced into exploring her personal issues through various sexual relationships. It’s a visual tour de force that takes erotic filmmaking to a new level, and is best viewed under the cover of darkness. Here, we talk with Jonathan about the film and his collaborative relationship with the leading actress and co-writer.
What is Promiscuities about?
Promiscuities is the story of a young woman (Diane) who was violently abused by her mother during childhood, and then seeks the help of a psychotherapist later in life, only to realize that he has a twisted agenda of his own. Diane’s problems primarily manifest themselves through her sexual psychosis, however, she has other very apparent psychological issues as well, her dependency on pills, alcohol, delusions, anger, fear, extreme self consciousness, a desperate need for love and affection, and dangerous self destructive tendencies. All of which are propelled and encouraged by her sadistic doctor.
The screenplay is an original story written by Amy Hood and myself. We began outlining the idea of Promiscuities back in January of this year, shortly after we published Fetishisms Volume 1. We began to think about a way to bring some of the psychological concepts we had been exploring to life in the context of a narrative film people could enjoy. We choose this subject matter because it allowed us to explore a lot of concepts that we were interested in. Psychological concepts, that affect many, if not all of us, in some way or another. The film is based on some true stories, some fiction, some personal influences.
How did you two meet and what was the working process like?
Amy and I have been working together now for nearly two years. Of course we met in the classic sort of model / photographer way. Working on this project was very in depth, but also very informal. A lot of research went into the project and we both came up with ideas that we pushed each other on. The overhead cost for producing this film was really very low, so we were able to spend a lot of time filming. We spent on and off nearly six months working on the project. If we didn’t like something, or the way something came out, we either scrapped it, or re did it. I think the process was very sculptural and tactile. We tried a lot of things, sometimes they were brilliant, other times (though not as often!) they were failures. The best part is being able to take risks, and having people around you that are able to support you when you take those risks.
This is such a sexually charged film…
Diane’s whole premise “I guess it’s safe to say I have a problem with sex” is sort of the jumping off point for exploration in this film. The idea of exploring aspects of human nature that other people are afraid to discuss in an intelligent and mature way is always interesting to me. Human beings are fascinating creatures, and I suppose I agree with Freud that human sexuality is often at the root of a large part of human psychology.
“I guess we always long for forbidden things” or “I knew I was alive with the heat of her hand around my cock.” Sure, it’s sexual, but these are universal truths that speak to all of us.
What were some of the biggest challenges you faced during the filming? How did you keep the talent comfortable during some of the more graphic scenes?
Filming went relatively well. Many of the scenes were improvised and the actors, especially Phillip Levine did a fantastic job with the improv. The whole scene when he is walking down the staircase at night is complete improv. Just right off the cuff. No script at all. Those scenes turned out so vibrantly, but I guess it was a risk. They could have been awful with other actors.
Some of the sexual scenes were a bit awkward to film, sometimes I had to push Amy to do things she wasn’t entirely comfortable to do, which I did not always enjoy. There are others that did not make it into the film because the ‘chemistry’ wasn’t there, but as long as you can go back and get it right, it’s no big deal. I guess after a while Amy got a bit burnt out making out with everyone.
Any tips for aspiring filmmakers?
Make your own rules. Study the great films. Ignore the formulaic crap coming out of Hollywood today completely. Take more risks. Take your time. Throw away your cell phone so you can concentrate. We made this film for under $3,000, but I also spent 350 hours editing it. Time is more important than money, in my opinion.
Promiscuities is available for digital download and streaming here (18+)
Grant Meyers, the erotic film foley artist.