SNL imagines if Wes Anderson made a horror film.
But go see 12 YEARS A SLAVE, it’s phenomenal.
Upcoming and noteworthy films, albums, and September art shows in New York.
Ocean’s 60+ save culture from the Nazis.
Starring George Clooney, Matt Damon, Bill Murray, John Goodman, and Cate Blanchett.
“Set in Los Angeles, slightly in the future, “her” follows Theodore Twombly, a complex, soulful man who makes his living writing touching, personal letters for other people. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive entity in its own right, individual to each user. Upon initiating it, he is delighted to meet “Samantha,” a bright, female voice, who is insightful, sensitive and surprisingly funny. As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual love for each other. From the unique perspective of Oscar-nominated filmmaker Spike Jonze comes an original love story that explores the evolving nature—and the risks—of intimacy in the modern world.”
In theaters October 25th
Behold the trailer for the upcoming Calvin & Hobbes documentary
The trailer for the 1974 Saul Bass film.
The trailer for Francesco Vezzoli’s The Trinity
The official trailer
In theaters and On Demand this Friday (6/7) from Magnolia Pictures
As a film-obsessed pre-teen growing up in France, Zal Batmanglij’s dream was to export the children’s program Choudenshi Bioman to the States. “People ask you when you’re a little kid, ‘Do you want to be a fireman or a ballerina or something?’ I said, ‘No, I want to bring Bioman to America,’” recalls the 32 year-old director at the Crosby Street Hotel. “But someone beat me to it. They called it Power Rangers.” Luckily, Batmanglij got a video camera when he was 12, and never stopped making movies — though he never finished one until he met his future best friend and fellow filmmaker, Mike Cahill, at Georgetown.
The two collaborated on their first two shorts, Substance and Lucid Grey, the latter of which Batmanglij notes was “about a couple who goes to a college party and has various sexual encounters separately, and then come together and break up realizing all sorts of things about their lives.” It won the top prize at the university’s film festival, and attracted the attention of then-17-year-old aspiring actress Brit Marling, who gave them a standing ovation from the front row.
When Batmanglij, an anthropology major, was later accepted into the American Film Institute he brought Cahill and Marling out to Los Angeles with him. “I just didn’t want to go to school by myself and they were my best friends,” he says. “It seemed crazy to move out to LA from the East Coast but we did it and then we became other’s family.”
This familial connection bled into the work, which started with Batmanglij’s thesis film, a 35mm short called The Recordist, which starred Marling. “We had such a healthy, fun experience, it just seemed right, so we were like, ‘Let’s just keep going,’” he explains. Marling and Batmanglij wrote their first feature, Sound of My Voice, about a cult-leading, basement-dwelling Angeleno woman “from the future” who becomes the obsession of an undercover documentarian and his girlfriend. When they couldn’t get it made the two hit the road on a 2009 summer odyssey — catching out on trains, dumpster diving, joining collectives, taking rideshares across 14 states — that would change the way they approached the film industry.
Good or bad, it’s all entertainment.