Aiko opens up a new show, Love Monster, at Joshua Liner‘s Chelsea gallery this Saturday night.  We got an early look at the work and besides being massive, the pieces are Aiko’s best work yet. After the jump, a press release and a small preview of the work.

Beautiful Soldiers 1

AIKO
Love Monster
April 18–May 16,2009
Opening reception,Galleries I & II:Saturday,April 18,6–9 PM
New York,NY. April 2,2009 — Joshua Liner Gallery is pleased to present Love Monster,an exhibition of new mixed-
media works by the Tokyo-born,Brooklyn-based artist AIKO. Love Monster is AIKO’s first solo outing at the gallery
and her largest show to date.
As a founding member of the artist collective FAILE,formed in 1999,AIKO helped fuel the current wave of global
contemporary street art with spontaneous wheatpastings and stenciling in numerous world capitals.The artist
launched a solo career in 2006 with works on canvas that incorporate collage,stenciling,brushwork,spray paint,
and serigraphy.This bricolage technique perfectly suits AIKO’s eclectic practice—a voracious mash-up of
Japanese and American pop culture,including comics,children’s book illustrations,advertising,classic movie
posters,and soft-core pornography.
AIKO draws inspiration from the urban street,Kawaii culture (“cute”in Japanese),and globalized depictions of
female sexuality.While a Media Studies student at New School University in New York,she hid her art in plain sight
by wheatpasting images throughout the city.It was then that she developed a signature synthesis of commercial
graphics,sexual imagery,and the vocabularies of seduction and fantasy found in print,film,and electronic media.
The implied decay of the graffiti-style works reads not only as autobiography but also as a subtle breakdown of
surrounding structures.Welcome to the Planet of Lady A,for example,features a provocative soft-porn image
silkscreened onto a window,all elements reclaimed from cultural and literal junk heaps.
Like Warhol in the ’70s,AIKO embraces silkscreen techniques as the ultimate (and seemingly timeless) signifier of
the contemporary.Madam Butterfly elegantly combines a reproduced newspaper image with collaged decorative
motifs,masking and transforming the identity of the painting’s female subject.In the show’s title work,Love
Monster,the artist layers nude nymphets holding spray paint with the recurring tags “King”and “Knights”to
capture not only the relational aesthetics of the day but also contemporary culture’s relative ethics.Here and
elsewhere,her visual language borrows from fairytales and pulp fiction—virgins and vixens—exploring themes
of romance,morality,and religion.Yet AIKO’s energetic works eschew judgment in favor of something more
generative,a pop-culture phoenix rising from the real and virtual ashes of the urban street.
AIKO (Nakagawa)’s debut solo exhibition,Shut up & Look,took place at Brooklynite Gallery in 2008.Selected group
exhibitions include:in 2008,Heart & Soul,Alphabeta,Queens,NY;Time Changes,Calm & Punk Gallery,Tokyo; PINK
AIKO:Brick Ladies of NYC,Ad Hoc Art,Brooklyn;and in 2007,Heart Throb,Merry Karnowsky Gallery,Los Angeles;
Bestial,Iguapop Gallery,Barcelona,and Eleven,Leonard Street Gallery,London.
Joshua Liner established Joshua Liner Gallery in New York City’s Chelsea district in 2008.Building on the success
of his former,Philadelphia-based Lineage Gallery,Joshua Liner’s Chelsea space introduces an exciting roster of
young and emerging artists from the West and East coasts,Asia,and Europe.
For more information,please visit www.joshualinergallery.com,or contact Tim Strazza at 212.244.7415 or
tim@joshualinergallery.com