Brendan Fowler last Disaster / first BARR at Rivington Arms
Closing out Rivington Arms’ 4 weeks / 4 shows is Brendan Fowler. Two performances, the opening night with Disaster and the closing with a performance as BARR should both rock and be jam packed. Full details after the jump.
Opening reception with performance by Disaster Wednesday April 9th 7-9 pm, performance 8 pm sharp
Closing reception with performance by BARR Saturday April 19th 7-9 pm, performance 8 pm sharp
Brendan Fowler, a conceptual artist living is Los Angeles, is best known for BARR, his ongoing music/performance/object+ephemera project. BARR sits somewhere on the far side of the “art about rock” cannon, pondering the “rock about art” banner it often flies over head. But “rock” as a description is nearly too neat, surely too succinct for something that is in fact more of a deconstruction than anything: songs directly address their own shortcomings; a picture of the process by which they were created becomes much of the end result. BARR performances explore the spaces in which Fowler’s body performs before the audience songs taken from records about spaces for audiences, continuing the process as it presents itself live and in real time.
Fowler’s most recent performance project/band, Disaster, began as a direct address to what he sees as the growing roster of bands with socially questionable names (Aids Wolf, Jay Reatard etc.). In doing so, Fowler created a project he himself would find morally negligent in hopes of understanding their motives. Using rough and obvious samples, Disaster intends to appeal as much as irritate. This darker spirited performance stands in stark contrast to BARR, which, historically has been about “helping people to feel less alone, (and) ideally empowered.” Fowler’s work is about exploding the process of creation as much as it is about continuously navigating the turns of basic existence, while documenting and celebrating the journey, scrapes and all.
Fowler’s text pieces-cum-sculptural objects act as both real and fictionalized ephemera associated with BARR and Disaster. Often using his own song lyrics as their base, these pieces further overlap and serve as static examples of the ideas explored in Fowler’s performative and sound works.
As solo unit (or occasional band), BARR has released records on luminary punk record labels Kill Rock Stars and Upset The Rhythm! and toured the US and Europe alongside art-rock heavyweights Animal Collective, Tracy+The Plastics and Xiu Xiu. But as an art world figure, Fowler has performed and exhibited at David Kordansky Gallery, LA, Jack Hanley Gallery, San Francisco, Dietch Projects, New York, The Mu Foundation, Eindhoven, Holland, Yerba Buena Center For The Arts, San Francisco and The Kitchen, New York.



4 Comments, Comment or Ping
Lisa K.
Thank GOD some young artists are tackling the serious issues that are plaguing contemporary society . Too many artists are interested only in creating decoration or beauty, and not making the world a better place.
As far as I’m concerned, Activism = ART.
This morally negligent music is a terrible influence on impressionable teens who wish to fit in by rebelling. It’s about time a fellow punk musician takes a stand.
Kudos!
Apr 9th, 2008
charles
this is reactionary and trite at best. what is fowler even saying about these band names that haven’t been said before? im sure if fowler were friends of these bands he wouldnt have made it a point to make it an issue. this is censorship and conservatism, no ifs ands or buts about it. Punk rock is supposed to make people uncomfortable.Fowler makes music thats ok for Moms to listen to and by that he shouldn’t be subjecting the rest of us to ‘how things are supposed to be.’ Does fowler like joy division? does he find that band offensive. Find a new schtick, Fowler. You’re killing youth culture with your sickening, self-righteous condescending tirades. not to mention elitist.
ps. by the way, this art is coming from someone that closely aligns himself with A-Ron aka the downtown don who on numerous occasions not only engages in misongynstic behavior but propagates the idea of consumerism disguised as youth culture rebellion.
Apr 10th, 2008
charles
BOO BOO BOO BOO!
Apr 10th, 2008
charles
“This morally negligent music is a terrible influence on impressionable teens who wish to fit in by rebelling.”
this is a line straight out of the PMRC.
Apr 10th, 2008
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